Estonian Art 1/2018

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The Architecture Issue

Estonian Art magazine published its first ever architecture devoted issue – that will be distributed by the Estonian Center for Architecture at the Venice Architecture Biennale.

Estonian Art 1/2018 focuses on  architecture, urbanism and the public sphere. It was made in collaborated with the Estonian Center for Architecture and the architecture curators going to Venice this spring. Tadeáš Říha, Laura Linsi and Roland Reemaa are three young architects who will represent Estonia at the 16th Venice Architecture Biennale with the project Weak Monument. Tüüne-Kristin Vaikla interviews the curatorial trio in “Sensitive Interventions in Venice”. The inspiration behind the Venice Biennale project is traced in Tadeáš Říha’s article “Weakness in Architecture” based on his research into the philosophical topic. Gregor Taul’s “Free Some Space for Weak Monuments” demonstrates how monuments can become memories and Francisco Martinez’s “Architectural Taxidermy” ponders the repurposing of obsolete spaces.

The Weak Monument theme is further explored in specially commissioned visual essays by Tõnu Tunnel with “Is a Monument Land Stuck in Time?”, Dénes Farkas’s “Monument” and Paco Ulman’s “C:\Works\2017\Kuressaare”. Estonian architecture is presented in bite-sized morsels in Carl-Dag Lige’s “Mini Architecture Histories” sampled from his popular Instagram account. Julia Hinderink interviews Sille Pihlak and Siim Tuksam of PART (Practice for Architecture Research and Theory) in “New Kids On the Block”. Karin Bachmann talks about the newest wave of green urban planning in “The New Modernity of the Urban Thicket” and Villem Tomiste gives us a peek into what’s coming next in “Looking Forward to the 5th Tallinn Architecture Biennial”.   

Estonian Art is a magazine dedicated to promoting Estonian art, design and architecture that has been published by the Estonian Institute since 1997. Estonian Art 1/2018 was supported by the Estonian Center for Architecture and Estonia’s centenary programme Estonia 100.

Visit our Website www.estonianart.ee

Order a copy of the magazine: here

Follow Estonian Art on:  Twitter / Facebook / Instagram /Pinterest 

 

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Estonian Art 1/2017

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Estonian Art Focuses on Katja Novitskova and Post-Internet Art 

In homage to the internationally acclaimed Estonian artist Katja Novitskova representing Estonia with ‘If Only You Could See What I’ve Seen with 
Your Eyes’
 at the 57th Venice Biennale, we dig into the influential international art movement known as post-internet art. We trace the movement’s past, present and future while covering exciting new ground in contemporary art, design and architecture. Post-internet art can be defined as all art that has been influenced by network culture and acknowledges the influence of the cyber, the digital and the glowing, pervasive screen.
Themes of post-apocalyptic survival, the Anthropocene and the ubiquitous post-internet fern come together in a movement that merges art with design and the virtual with the tangible.
The post-internet movement and its wake are approached from different angles with articles and specially commissioned visual essays by seventeen authors: Katja Novitskova chats with Jaakko Pallasvuo about the imposter syndrome and mushrooms, Eva-Erle Lilleaed traces Novitskova’s animals and oeuvre, and Kati Ilves talks about If Only You Could See What I’ve Seen with Your Eyes. In an Estonian-Lithuanian cultural exchange, Konstanet founder Keiu Krikmann writes about Pakui Hardware, and Pakui Hardware’s Neringa Černiauskaitė writes about Konstanet.

 

In design, Ott Kagovere considers the trolling elements of post-internet graphic design, Sofia Hallik writes about cybernetic influences and Kaarin Kivirähk captures the present moment in post-internet fashion. Martin Rünk talks to Kristina Õllek and Kert Viiart about EXHIBIT_ONSCROLL. Pau Wealder gives an international perspective on Spanish post-internet art practices, while Raivo Kelomees gives an art history lesson, tracing 90s net-art to the post-internet movement with a post-modern glossary of contradictory terms. Mikk Madisson and Rainar Aasrand chronicle how SKATKA reveals the seedy underbelly of e-utopias.

There are two visual essays in this issue by Norman Orro and Kristina Õllek & Kert Viiart based on their Instagram exhibition @exhibit_onscroll.

The issue also contains articles about Estonian architecture and design.

 

The new issue of Estonian Art will come out in September of 2017!

Visit our Website www.estonianart.ee

Order a copy of the magazine: here

Follow Estonian Art on:  Twitter / Facebook / Instagram /Pinterest